Wednesday, 13 June 2012

Deliberation of Patterns

Pattern  # 12
Pattern  # 13
Pattern  # 14


 The natural world surrounds an immeasurable variety of patterns and understanding patterns of events and forms in order to embody them in design and for them to have a good observation of the many forms in nature. For me one of the ways, which I learn from nature, is through the understating of patterns and forms, which crated by simple physical laws, as an able to de-code any equation’s code in any sort of science.  I reached these patterns of liquid’s mould, by repeating in various ways, using the scanner and work on it in Photoshop. 

Beauty of Decay Process

Process  # 6
When I put these leaves on the flat bed of my scanner,this geometric brown decay decompose, which complex network of lines present in this work an illusion to the vascular tissue of plants, as well as the vascular system of the human body. It forces me to think about how this natural process works. What it wants to tell us? What is connection in this pattern network in universe? What I have to do as an artist?

Tuesday, 5 June 2012

Research,Marina Abramovic & W. Schels & B...





In In my research I looked in to my subject, life and death in many forms of art by many artist. This time my attention is in the performance art because in my point of view, Performance becomes life and life becomes art and has taken many different forms. Marina Abramovic has pioneered the use of performance as a visual form and the body has been both her subject and medium.  The Life and Death of Marina Abramovic, is a once in a generation cultural event and a biography of the godmother of performance art, re imagined by visionary director Robert Wilson.  Thinking about life, Death & art help me with the question of each of them about how the social, cultural, religions, economy and even political effects in creativity by emotion and how emotion influences various aspects of the process… and how each type of emotional response to them. In the history of art,“Performance Art” got its start in1960 in America. With that form, performance artists saw the movement as a means of taking their art directly to a public form.  It is alive, has no rules and experimental and artist always strived to use the body as a tool for making their art. The process of decay is like performance art; it grows, and the moulds slowly take over. The performance of its growth is with the sound of its own special music, which grows due to the sound wave frequency, in which we are not able to hear, and is very slow.



http://www.youtube.com/watch?v=LsPx9sLcbeI
http://www.youtube.com/watch?v=MDqNpa-GU4
http://www.youtube.com/watch?v=3xQFrvd3OLA
http://mif.co.uk/event/robert-wilson-marina-abramovic- 

Still Life # 6





For my Studio Practices project I decided to continue with the theme of decay.  I looked at processing of decay. Here are some images I used as inspiration for the project but in still life style.  This to me, this experiment relates to my research on performance art. The mould is slowly increasing in various directions, like as if it was doing by a sound wave frequency in performance art. If these images were put on large scale, it would look like a planet in space. I would like to have put this on large scale to show the effects and motion I was feeling. 


Research, Merging Art & Science




 According to experts merging Science & Art focuses on biology inspired art, an ancient art form. An early 20th century instance, Picasso’s “Standing Female Nude in 1910 was inspired by the power of X rays to glimpse beyond inspiration was X ray photographs taken to diagnose the illness of Picasso’s mistress, Fernando Oliver.  Superposed on a background of planes, her body lies open to reveal pelvic hip bones made up of geometrical shapes: forms reduced to geometry, the aesthetic of Cubism inspired by modern science.










These days some of the most innovative artists are merging art and science to create bran new art movement inspired by science.The contemporary gallery GV Art explores and acknowledges the inter-relationship between art and science, and how the areas cross over and inform one another. GV Art’s latest exhibition brings together ‘polymath’ works that create synergies and connect disparate ideas and different schools of thoughts. From Susan Aldworth to David Marron’s Nervous Tissue installation.








Susan Aldworth HEARTBEAT 1&2




















  David  Marron Nervous Tissue                                         David Marron Life & Death



What is death? In some senses, that is they key question that runs through the work of contemporary artist David Marron.  His art is about the visual interpretation of a fundamental human condition, that of being between life and death, positioned between the actual objects that surround the body, and their symbolic meaning that survive it.



http://arthistory.about.com/od/from_exhibitions/ig/picasso

http://www.fadwebsite.com/2012/03/03/polymath

http://www.spoonfed.co.uk

Still Life # 9







My digital scans of coconut offer me taken the tradition of still life and nature studies, which is a type of symbolic work of art especially associated with Northen European still life in Flanders & the Netherlands in the 16th & 17th centuries thought loosely translated corresponds to the meaninglessness of earthly life & the transient nature of vanity. I taken these images with my flatbed scanner, rather than with a camera, and their creation avoid any lens based processes. In one hand my works embody a more direct relationship between the object represented ant the support on which the image lies and places them closer to prints or photograms than to photographs also allows for transferred of a great amount of detail with a creating a delicate texture and optimism that give emphasis to the coconut’s decay as a natural beauty.  This process gives me  a insight of relationship between science and art.

Monday, 4 June 2012

Natur's Cycles

5.50pm Hatfield at bus station near my uni
4.50am In my daugter's room's window
4.50pm In my area


 It was believed in some cultures that worshiped the sun. The Aztecs believed that the sun was eaten by a God each night, and recreated each morning. So that the God was pleased and allowed the sun to shine upon the Earth again, they also thought that by sacrificing they could please the God, in fright of there being no more sun.  They therefore saw the sun rising each morning as a new birth, and the sun setting as its death. It also symbolizes good light and evil darkness; knowledge light and ignorance darkness; creation light and destruction darkness; a beginning light and the end darkness.

In belief of that, sunrise and sunset represent birth (life) and death. The colors especially support this philosophy. With sunrise being bright, alert and full of good emotions. Where as to comparison with them in sunset, the colours get darker, stronger, and give off and danger emotion but this can also be seen as calm or romantic and opposite of sunrise. This puts a line between the two making them seem so different.

 To me its interesting for these individuals that have no line, putting a difference between sun rise life and sun set death, because I see their start colours to be the same tone and their only difference to be the ending which is a start of another one except emotion it gives up.

In my practice I took photographs of sunrise and sun set.   Throughout this, I had learnt that there is no difference between sunset and sunrise; it was just the after effects that were different. This gave me an insight on how life and death is also in this cycle, with sunrise as birth and sunset and death, they also have the similar after effects, which is the only thing that makes them different and how power of science with technology can affect the tradition cultures.